bryant: (Maggie)

Nights Black Agents campaigns are built using a diagram which represents the classic conspiratorial pyramid structure. It’s called a Conspyramid. The mastermind squats at the top, with minions at various levels beneath. PCs discover the fringes of the conspiracy, and work their way up as the campaign goes on.

The following diagram is a satire. Who would believe that Peter Thiel is secretly influencing 4chan, or that Steve Bannon controls Breitbart News?

Mirrored from Population: One.

bryant: (Old School D20)

Years apart, actual quotes. It’s interesting how two of my favorite designers approached the same problem.

Unlike a lot of games out there, InSpectres didn’t start as an idea for a cool setting or anything like that. What I wanted to do was try designing a game that “fixed” some problems I saw in similar games that dealt with investigation (no names, please). That problem is what I call the “murder mystery” plot. Basically, it goes like this: the players stumble across a mystery of some sort. The GM then provides clues (in the form of helpful or not-so-helpful NPCs, scraps of forensic information or first-hand knowledge of the event). If the players are smart, they’ll figure it out. If not, then the GM has to guide them along until they do figure it out. In effect, it becomes an exercise for the GM in which the players are guided down a pre-built track and react to stuff that pops up along the way (not unlike a funhouse ride). In the end, the game succeeds or fails on the merits of the GM running that game.

What this game does is to allow the GM to set up the events, but then have the players (through their characters) decide what is really going on. The GM then reacts to the players and what they see as intriguing or exciting elements of the story.

The other thing I wanted to do was to set up a play structure (the series of events that occurs in each game session). Using this play structure as a guide, the GM and players know what is expected of them at various stages of the game. The fun, of course, comes from doing stuff in each stage.

Conversely:

Investigative scenarios have been done wrong since the early days of roleplaying games. As a consequence, they’re hard to run and prone to grind to a halt. GUMSHOE is here to fix all that.

What’s wrong about the traditional way of doing investigative games? They’re based on a faulty premise. Story-based roleplaying, of which investigative games were an early if not the earliest example, evolved from dungeon-bashing campaigns. They treat clues the same way that dungeon games treat treasure. You have to search for the clue that takes you on to the next scene. If you roll well, you get the clue. If not, you don’t — and the story grinds to a halt.

<snip>

In a fictional procedural, whether it’s a mystery novel or an episode of a cop show, the emphasis isn’t on finding the clues in the first place. When it really matters, you may get a paragraph telling you how difficult the search was, or a montage of a CSI team tossing an apartment. But the action really starts after the clues are gathered.

GUMSHOE, therefore, makes the finding of clues all but automatic, as long as you get to the right place in the story and have the right ability. That’s when the fun part begins, when the players try to put the components of the puzzle together.

<snip>

Every investigative scenario begins with a crime or conspiracy committed by a group of antagonists. The bad guys do something bad. The player characters must figure out who did it and put a stop to their activities.

If you use the GUMSHOE rules for straight-up crime drama, the team investigates a crime, finds out who did it, and puts the culprits under arrest.

In the Esoterrorist setting, the team investigates an occult conspiracy, finds out who did it and why, and takes action to end the occult manifestations. They may detain or kill the Esoterrorists behind it. They may destroy any supernatural creatures or effects generated by the conspiracy. Or they might turn over the information gained in their investigation to a specialized Ordo Veritatis clean-up team, who ruthlessly and efficiently dispose of the guilty parties and their workings.

Your GM designs each scenario by creating an investigation trigger, a sinister conspiracy, and a trail of clues.

I’ve enjoyed both GUMSHOE and InSpectres. Both Jared and Robin identify the clumsiness of a GM leading players to clues by the nose. Jared doesn’t like the part that comes afterwards; Robin does.

Mirrored from Population: One.

Bundled

Sep. 25th, 2013 02:15 pm
bryant: (Old School D20)

This post has an expiration date, which is approximately three days from publication. Reading it after 9/28? You missed out.

The current Bundle of Holding is for a bunch of GUMSHOE games and it seemed worth going over what you get. It might appear that there’s a lot of duplication in the bundle, since all four of the full RPGs are based on the same ruleset. Not so!

Night’s Black Agents is the easy sell: technothrillers meet vampires. Spy action, bloodsuckers, Ronin and Alias and so on. You get the basic GUMSHOE rules tuned for action, which had not been a particular strength until this point. Also you get The Zalozhniy Quartet which is probably a solid 8-12 sessions of play, at a guess. Maybe more.

So why do you also want Mutant City Blues and the associated Hard Helix adventure? Not for the superpower rules. (Sorry.) They are a bit idiosyncratic and highly world specific. You do, however, really want the detailed description of running a GUMSHOE game as a police procedural: interrogation scenes, what a police station is like, all that good stuff. Mutant City Blues is the GUMSHOE game you’d use to run Criminal Minds or CSI.

Fear Itself is a sweet minimal GUMSHOE implementation that does a decent job on slasher films. All the other versions of GUMSHOE in this bundle deliver competent characters. Fear Itself delivers teenagers.

Finally, Ashen Stars is a cool extension of the investigative procedural engine to cover episodic SF. The included setting is solid, but you could also use this to run Star Trek (of course) or Firefly. Or anything where there’s a spaceship, or a set of portals leading to strange worlds, or some kind of time machine masquerading as a common street object, and the player characters travel around dealing with mysterious problems.

In other words, there’s plenty of overlap but there’s also plenty of unique content and you will absolutely learn something about the system from each of the four games. Since you also get a bunch of Robin Laws columns, this is a no-brainer. You also get the Ken Hite subscription but come on, that’s an evil trap. Half of that stuff is Trail of Cthulhu oriented which will make you want to buy that game too. (You should buy that game too.)

Mirrored from Population: One.

Bundled

Sep. 25th, 2013 02:15 pm
bryant: (Default)

This post has an expiration date, which is approximately three days from publication. Reading it after 9/28? You missed out.

The current Bundle of Holding is for a bunch of GUMSHOE games and it seemed worth going over what you get. It might appear that there’s a lot of duplication in the bundle, since all four of the full RPGs are based on the same ruleset. Not so!

Night’s Black Agents is the easy sell: technothrillers meet vampires. Spy action, bloodsuckers, Ronin and Alias and so on. You get the basic GUMSHOE rules tuned for action, which had not been a particular strength until this point. Also you get The Zalozhniy Quartet which is probably a solid 8-12 sessions of play, at a guess. Maybe more.

So why do you also want Mutant City Blues and the associated Hard Helix adventure? Not for the superpower rules. (Sorry.) They are a bit idiosyncratic and highly world specific. You do, however, really want the detailed description of running a GUMSHOE game as a police procedural: interrogation scenes, what a police station is like, all that good stuff. Mutant City Blues is the GUMSHOE game you’d use to run Criminal Minds or CSI.

Fear Itself is a sweet minimal GUMSHOE implementation that does a decent job on slasher films. All the other versions of GUMSHOE in this bundle deliver competent characters. Fear Itself delivers teenagers.

Finally, Ashen Stars is a cool extension of the investigative procedural engine to cover episodic SF. The included setting is solid, but you could also use this to run Star Trek (of course) or Firefly. Or anything where there’s a spaceship, or a set of portals leading to strange worlds, or some kind of time machine masquerading as a common street object, and the player characters travel around dealing with mysterious problems.

In other words, there’s plenty of overlap but there’s also plenty of unique content and you will absolutely learn something about the system from each of the four games. Since you also get a bunch of Robin Laws columns, this is a no-brainer. You also get the Ken Hite subscription but come on, that’s an evil trap. Half of that stuff is Trail of Cthulhu oriented which will make you want to buy that game too. (You should buy that game too.)

Mirrored from Population: One.

January 2017

S M T W T F S
1 2 3 456 7
8910 11121314
15161718192021
22232425262728
293031    

Syndicate

RSS Atom

Most Popular Tags

Style Credit

Expand Cut Tags

No cut tags
Page generated Jul. 27th, 2017 05:00 pm
Powered by Dreamwidth Studios