bryant: (Maggie)

Tales of Halloween: B+

This review is maybe a bit of a placeholder; I did not take notes during the movie and I’d like to come back to it when I can find some better data on who directed what. For now, I will note that this was a totally fun horror anthology with ten segments. They’re very loosely linked insofar as they all take place in one town during Halloween. Unsurprisingly, it’s not a place you’d want to live. Neil Marshall’s closing segment ties together some of the other bits, but otherwise they’re just related by theme and locale.

If I had to bet, I’d say one of the thematic elements the creators decided to work with was revenge. There’s a lot of that going on. Also trick or treating, which is kind of a gimmie for Halloween. Also gore — this is probably going to win my personal Best Gore award for Fantasia — but that’s just because it’s a total love letter to 80s horror.

Which, let me tell you, this movie wears its heart on its sleeve. Lots of horror character actors you’ll recognize, a couple of even more amusing cameos, and so on. The Neil Marshall segment plays like a John Carpenter tribute in the most loving of ways.

I think this will roll into theaters around Halloween this year and if you like gory horror you should see it.

Mirrored from Population: One.

Jeruzalem

Jul. 23rd, 2015 04:44 pm
bryant: (Maggie)

Jeruzalem: D.

This was a lot of wasted potential. You’ve got a promising if somewhat goofy presence — American backpackers trapped in Jerusalem during the apocalypse. The found footage twist is pretty good: everything’s being filmed on Google Glass by Sarah, our viewpoint character. It’s a nice way to explain why she doesn’t just drop the camera and run away, plus the Paz brothers added some really clever moments around facial recognition and other wearable features.

Unfortunately the acting was really, really bad. I’m not going to pick on anyone in particular, because everyone was fairly wooden. If you’re doing helpless Americans abroad, you’ve got to have sympathetic characters and none of the main foursome was up to that task.

The writing didn’t help. Towards the beginning of the movie there’s an excellent chase scene which uses the Glass conceit to full advantage. You get disoriented right along with Sarah as she runs, you get a real feel for her lack of perspective, and it’s easy to understand how she gets lost in the warren of back alleys. Excellent stuff. It’s undermined by the ceaseless repetition of “hey, stop, hey, you, stop, hey, come back, hey, stop!” It’s as if the filmmakers were afraid of silence.

I could go on. The prelude, which is not presented as found footage, winds up being played for Sarah later. So if you’re going to present it within the found footage context anyway, why start the movie outside the frame? Hold it for later, don’t repeat it, and as a bonus you get to save your demon reveal rather than giving it up in the first five minutes.

Whoops, I went on. Done now. Don’t watch this on cable if you happen to trip over it some day.

Mirrored from Population: One.

bryant: (Default)

Sadly I’m not going again this year, for good reasons involving schedule and finances, but that’s OK. It will not stop me from considering the lineup at length.

The ticketing is wild this year. The festival starts this Thursday; tickets go on sale tomorrow. The schedule only came out like Friday. Make your decisions quick. I’m thinking next year I just choose a week and trust in fate for the movies. Or go for two weeks. Mmm, two weeks.

Here is the volume. Here is the pump. Here is the dance floor. Do what is right.

Read the rest of this entry » )

Originally published at Imaginary Vestibule.

bryant: (Default)

I’m thinking about a long essay on Johnny Depp’s trilogy of food movies: Chocolat, Charlie and the Chocolate Factory, and of course Sweeney Todd.

No?

What’s Eating Gilbert Grape?

Originally published at Imaginary Vestibule.

bryant: (Default)

Stop hurting America!

Michael Bay’s production company is working on remakes of:

Near Dark was just fine the way it was. Grrr. Who the hell is Samuel Bayer? I suppose I’m upset about Hitchcock remakes too.

I’m not really upset about Friday the 13th, though.Variationen von poker.

Originally published at Imaginary Vestibule.

bryant: (Default)

I’ve seen a few critics recommending minimal knowledge of Cloverfield going into the movie, and I think that’s right. It’s also a sign that it’s a gimmick movie. That’s not a pejorative, since there’s nothing wrong with gimmick movies, but you always have to ask: does the gimmick contribute to the story?

In this case, since the story’s more about how people react to the giant monster eating New York City than it is about the monster, I think the answer’s yes. To the degree that Cloverfield doesn’t succeed, it’s not any fault of the found footage conceit. Rather, it’s that the characters aren’t all that interesting, excepting our primary cameraman Hud. They aren’t boring, per se. I cheered for them. I just wouldn’t have been cheering if it hadn’t been a monster movie.

NoFor the relevant free free metro pcs ringtones uploads format exists with. question but that it was enjoyable, however. The craft of the movie is superb; what this gains over The Blair Witch Project is choice. A good cinematographer thought about what he could get out of the camera and executed really well. There’s some cuteNel gioco di http://www.nycryobank.com dovete seguire di fare 21 o avvicinarsi il piu possibile a tale punteggio senza superarlo. stuff with earlier recorded material that also works nearly perfectly.

And damn, it’s a scary monster. Great design; it’s menacing and terrifying and unstoppable in the correct measure. The 9/11 parallels are pretty clear, in that we’re going to inevitably draw them, but the movie acknowledges them deliberately in the opening scenes and I think that pulls any fangs there might be.

Well worth the movie ticket. Bring Dramamine if you get sick easily.

Originally published at Imaginary Vestibule.

bryant: (Default)

Noted:

The Zombie Marathon, at the Somerville Theate. Movies include Shaun of the Dead, Fido, I Walked With A Zombie, 28 Days Later, 28 Weeks Later, Zombie, and Dead Alive. I suspect that’s the full list, since it’s a 12 hour marathon and that’s 7 movies. No Romero? Shocking, but perhaps Diary of the Dead will sneak onto the program or something.

Second, the Brattle Theater’s Boston Fantastic Film Festival is coming soon, like weekend after next. Announced movies: Trapped Ashes (review), The District (review), The Signal (review), Murder Party (review), The Devil Dared Me To (review, read down a bit), and yay Zebraman (review).

I really want to catch Zebraman; Miike’s kaiju work has been way cool in the past. The District also seems really intriguing, and perhaps The Signal. The others I could take or leave, excepting Trapped Ashes, which from all the reviews looks intolerable.

Originally published at Imaginary Vestibule.

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