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The sniper seems to have been caught, which is great news. Not so great news: he recently changed his last name to Muhammad, and reportedly converted to Islam some years ago. Inevitably, some people are rushing to point out how dangerous those Muslims are.

I thought about it. In the last ten years, if we look at domestic terrorism, the score is American Christians 2 and American Muslims 1. Kaczynski and McVeigh beat Muhammad. Clearly -- very clearly -- Christians are bad news and very dangerous.

You heard it here first. Muslims make better Americans.

The danger is that we'll ignore the real cognate, which is terrorism and membership in Al Qaeda. The latter happens to have a prerequisite. You need to be Muslim. That doesn't speak to the terroristic tendencies of Muslims; it speaks to the prejudices of Osama bin Laden. He was in a position to leverage his hatred, but that says nothing about the likelihood that the Muslim on the street will be a terrorist.

It is dangerous (I'm tempted to say treasonous, but that would be wrong) to sweep all this under the generic rug of "Islamic terrorism." There's no such thing as Islamic terrorism, just as there's no such thing as a black quarterback or a woman rock star. There are quarterbacks who happen to be black, there are rock stars who happen to be female, and there are terrorists who happen to be Islamic. None of those adjectives have a material effect on the nature of what they do.

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Worth reading: Salon's interview with Michael Chabon, on the subject of his new novel Summerland. I haven't read the book yet, because I was far too broke to buy hardcovers over the summer, but I rather expect to remember to pick it up soon. I think that Chabon's sense of wonder makes him one of the best authors out there right now. Summerland sounds like a glorious expression of that sense of wonder.

It's so clear that Chabon is a fan, by which I mean he covertly dwells in the weird little meshwork of interlocking subcultures defined by comic books, roleplaying games, science fiction, and other such traditionally geeky pursuits. I say covertly because he's never really said as much, and on occasion he's avoided answering questions regarding the depths of his comic book fandom. I can't blame him: it's a tarpit of a ghetto for someone who's made it in the literary world. I would say that Chabon is no better a writer than Sean Stewart, but Stewart will never break out into the New York Times Book Review, because he comes nicely prelabelled.

As Chabon says, "When people heard that [Kavalier and Clay] was about comic books, I got a lot of 'Oh, really? 'Cause I thought I might be interested until I heard that.' I was aware there was going to be some initial resistance from some people." I think it's reasonable to be wary. This way he gets good publicity, and he still gets to write the screenplay for the next Spider-Man movie. Lucky bastard.

Anyhow, in this interview, he mentions that he's always wanted to write something like Susan Cooper's "The Dark Is Rising" sequence. The signs are pretty clear. He's one of us.

I thought it was a little sad that the interviewer failed to comment on the relationship between Summerland and the aforementioned Sean Stewart, who also dives deep into the rich world of American mythology, or even the rather obvious American Gods. Still, it's nice hearing what Chabon had to say about the process and the choices and laziness in writing.

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Reuters theorizes that all those intentional walks to Barry Bonds may be lowering viewer interest in the World Series. I'd have thought the low ratings might be due to the late start times for East Coasters, myself. The games don't end till near midnight. Families aren't going to be watching these, you know?

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Unnoticed in the furor over other issues: Bush is pushing for a ban on

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