Oct. 1st, 2003

bryant: (Default)

Not to harp on Glenn, but I think this is actually an important general point: are bloggers amateur or professional? I think it’s past time we stopped equating “blog” with “amateur.”

In this post, Glenn defends his right to write about whatever he wants, which is a right I certainly support. He also says we shouldn’t use him as our only news source, which is commendable. However, he also says “And this is, as Eugene properly notes, an amateur activity.”

His very next post is a pointer to his TechCentralStation column.

He didn’t get the column gig because he’s a famous law professor. He got it because he’s a famous blogger. He’s not getting paid for Instapundit.com, but it sure has led to paying jobs. That doesn’t make it a professional pursuit, per se. Does it blur the line between amateur and professional? Of course it does.

bryant: (Default)

You wouldn’t expect a movie about corporate espionage among multinational anime porn to be a bad viewing experience… well, OK, maybe you would. Still, I thought Demonlover was worth my ten bucks. Olivier Assayas’ Irma Vep got excellent reviews, and Demonlover stars Connie Nielsen and Gina Gershon, so there was potential there.

I pretty much liked the first half. Chloe Sevigny was tremendously callow, and whether or not her character was meant to be played that way, her performance left me cold. The rest of the movie was fine, though. Very stylish, shot in blues and greys in a kind of 70s futuristic aesthetic. The plot was nicely tangled.

In the last hour or so, the movie went seriously downhill. The final shots struck me as deeply non-profound, despite being set off from the rest of the film in style and tone. But the message didn’t live up to the stylistic flourishes. Further, there wasn’t any tension after a certain point. The resolution came about halfway through the movie, and everything afterwards was just an extended version of the “ten years later” epilogues common in bad 80s teen comedies.

Good concepts. Bad execution.

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