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[bryant]

You wouldn’t expect a movie about corporate espionage among multinational anime porn to be a bad viewing experience… well, OK, maybe you would. Still, I thought Demonlover was worth my ten bucks. Olivier Assayas’ Irma Vep got excellent reviews, and Demonlover stars Connie Nielsen and Gina Gershon, so there was potential there.

I pretty much liked the first half. Chloe Sevigny was tremendously callow, and whether or not her character was meant to be played that way, her performance left me cold. The rest of the movie was fine, though. Very stylish, shot in blues and greys in a kind of 70s futuristic aesthetic. The plot was nicely tangled.

In the last hour or so, the movie went seriously downhill. The final shots struck me as deeply non-profound, despite being set off from the rest of the film in style and tone. But the message didn’t live up to the stylistic flourishes. Further, there wasn’t any tension after a certain point. The resolution came about halfway through the movie, and everything afterwards was just an extended version of the “ten years later” epilogues common in bad 80s teen comedies.

Good concepts. Bad execution.

Comments

[robotnik.livejournal.com]

Sight unseen, this movie sounded a lot like that Sorcerer Incorporated rpg we talked about on The Forge once. I'd still like to run that some day.

[rollick.livejournal.com]

After a point, it seemed like Assayas was just throwing in twists in order to have more twists. I lost track of reality after about an hour, and each successive scene became harder to link to the scene before it, and eventually I lost interest in trying.