bryant

Dylan Kidd came out of nowhere with Roger Dodger, and sometimes it shows. The pacing is off, for example. But man, I’m a sucker for the rhythms of language, and Kidd has ‘em down pat here.

The plot? New York, nightlife, a pretty amazingly cynical copywriter who has only his sense of language to be proud about. Womanizing. Said copywriter’s nephew. Lessons learned.

The acting’s good. The nephew, at sixteen, nails being a tense sixteen year old geek, right down to the expectation of dot-com riches without a college degree. Campbell Scott is very good as Roger; he gives enough to let us care about him, which is pretty crucial if you’re going to be playing an asshole. Oh, and Isabella Rosselini is so very perfect. Worth it for her alone, actually.

The pacing fails in places. It’s sort of episodic, kind of in a made for television spread it out over two nights way. Apparently some cuts and additions were made after the test screening, and I think Kidd just isn’t experienced enough to do a really great job editing post-facto. Not too bad, though, it’s just that you can see the seams.

Worthwhile. I really like this kind of jagged Neil LaBute stuff, though, so if you like your movies less cynical you might want to stay away.